This is the book I learned to cook with. I still own my copy, and still make some of the recipes from this book. Jo's Sloppy Joes are a family favorite, and the brownie recipe is the best I've ever tried. I bought the 2nd edition for my daughter, and she likes it very well. The book includes 4 weeks of dinner menus, suggestions for lunches and breakfasts, party foods, grocery lists, and suggestions for basic cooking equipment, plus instructions on everything from how to ring the bell to talk to a butcher at the grocery store, to how to slice round objects. Should help any new cook get started.

This was my first cookbook over 30 years ago. I used it then and I use it now. I'm buying it for my two daughers now.

My first cookbook almost 30 years ago. Now I'm tracking down copies for my college sons. With easy-to follow directions for basic recipes and cooking techniques, this book is laced with humor that, while somewhat dated, still resonates with teens and 20-somethings. If you have highschoolers, snap up all the copies you can find right now before this gem goes the way of the dinosaur---or then again, some publisher may get smart and run a reprint!

I loved this book for my son when he was little. It teaches positive, Christian principles without being preachy, and it is a good alternative to traditional nursery rhymes, which don't really teach much of anything at all.

I enjoyed reading this book to my children 25 years ago. Now that they have their own children (...)and they have asked for it for their children. I am a bit jealous that they will get such a bigger book with more content, but thrilled that I can share this not only with my children but also with my grandchildren. It is a joy to find Bible-based ideas in our favorite nursery rhymes!!

I loved this book as a kid, and have it at my Mom's house. We used to read them together for hours. I remember the characters vividly, even telling my husband some of the stories. Now that I am expecting my first, I want to buy him/her a copy so that I can share it with my children also!

This is a wonderful, clear, simple, step by step guide to teach shakespeare in a secondary classroom. The excercises are clear and easy to implement and the students can see growth right away! Great resource for teachers!!!

This books offers a practical and easy to impliment approach to the study of Shakespeare and using his lanaguage affectively. A great resouce for teachers, directors and actors, Van Tassel outlines a workable set of simple activites that allow the student/actor to find the meaning behind the words. I used this text in a workshop this summer and was amazed at the improvment made in interpretation from first-time actors. A great resource for teachers with inexperienced students. As an teacher, the middle section is invaluable, with clear examples of how to present the exercises. As an actor myself, i will take the lesson into my own performances. This book will not sit on your bookshelf - its clear, understandable, practical and just the right length for a busy theatrical professional! A great find!

Here is the "Library Journal" September 1, 2000 review of "Clues to Acting Shakespeare" by Wesley Van Tassel and "A Shakespearean Actor Prepares" by Adrian Brine and Michael York. For centuries, actors have known what the American hoi polloi, through the efforts of Kenneth Branagh, films like "Shakespeare in Love," and eminent critic Harold Bloom's "Shakespeare: The Invention of the Human," is now acknowledging: Shakespeare is cool. The venerable dramatic publisher Smith & Kraus, of course, has known this for years and contributes to their fine stable of theatrical thoroughbreds with a fine work from esteemed actor York and European actor, director, and teacher Brine. Geared to actors studying and performing Shakespeare, the instructional and conversational text is also appropriate for nonactor Shakespearean fans. Both Brine and York smoothly blend together their considerable experience and expertise through practical commentaries on language, verse, and soliloquies and an intriguing chapter on Stanislavsky, from whose seminal acting text, "An Actor Prepares," the title is taken. Appendixes include a brief "Who's Who" and a Shakespearean biography, chronology of plays, and reading list. If Brine and York's book, with its elegant pedigree, is a race horse, Van Tassel's beautifully conceived and executed text is a Clydesdale, a workhorse of a workbook that is purposefully divided to reach manifold audiences: College students and independent workshops, high school students and teachers, and professional actors and coaches, with a final resourse section from which everyone can benefit. Through both the instructional narrative and his bountiful exercises, Van Tassel, a director and acting teacher, explicates the basic Shakespearean tenets of scansion, caesura, phrasing, breathing, textual analysis, imagery, structure and rhythm, and antithesis, and he does it gracefully and appropriately for the diverse readers he intends to reach. This is the kind of helpful instructional aid, both detailed and clear, for which both students and teachers constantly clamor. Both works should be acquired for performing arts collections, by "Clues to Acting Shakespeare" is a no-brainer purchase for acting collections in all libraries.-- Barry X. Miller: Austin P.L., Texas

It should get more stars than five, the history of lampworking portion of the book is almost worth the price of the book itself.The history portion is only a small portion of the set. I have been doing lampworking for about 3 years now and I search the internet for anything reguarding lampworking often and this book set has tons of stuff I have never seen. excellent.

During my first year of lampwork beadmaking I found myself going back again and again to study Dunham's excellent textbook. It is well illustrated and goes into good detail concerning process. The book covers basics of soft glass and borosilicate flameworking and compares advantages and disadvantages of the various glass types. There is valuable information I'd not been able to find such as methods for calibration of annealing ovens, the right way to flame anneal, and construction mistake analysis. The photographs of professional lampwork art were both inspiring and humbling for the beginner.

When I first started making glass, there was hardly any information available. You had to pay people you didn't even necessarily like to show you techniques you didn't need to know, but when I viewed Bandhu's first edition of this book, it blew the doors off of anything I had heard anywhere. It introduced me to artists such as Brian Kerkvliet, Robert Mickelson, and Loren Stumph. I have since then taken classes from those artists and have immensely increased not only my repertoire with glass, but also my respect for the art of Glass. I recommend this book to anyone interested in any type of art glass. I'ts benefits are truthfully exponential. thank you Bandhu CHORVAT ART GLASS

Scott Hull and his colleagues/friends have provided an excellent resource for building, enhancing functionality, improving performance, and insuring security for Content Delivery Networks, paying special attention to SSL protocol; which I was most concerned with.

It is by no means a technology primer on all the subjects we encounter in a Content Delivery Network. You should already be aware of some foundation technologies like, LAN Protocols, PKI, Firewall design concepts, Bridging concepts as it relates to Spanning Tree protocol, web client access mechanisms/browser security, etc., to insure thorough understanding; although Scott does provide a solid refresher on these subjects.

The book is an easy read, and is a must have in your arsenal of technology guides if you are in the business of deploying these technologies, or developers who are looking to understand these technologies and provide solutions to their customers.

Thanks Scott! Very timely.

An essential resource for any IT professional. It's a reference we utilize often. We strongly recommend it.

As an IT manager, I can't say enough about this book. It covers all of the issues surrounding content networking in a clear an easy to read way. I especially found the SSL and caching chapters useful since I'm in the middle of deploying solutions for both problem areas. The SSL chapter clearly explains how the protocol works and explains how it relates to real-life issues in deploying SSL accelerators.

I've also found this book useful to get my junior administrators up to speed with the technologies that they have to learn. Finding staff that is familiar with this stuff is hard but with a book like this, I can actually provide useful training material without having to develop anything of my own or spend a lot of time explaining the basics. I intend to buy copies for all of my staff.

I just received my book yesterday and spent hours looking at it and making templates. I can't wait to start my quilt. These patterns are exactly what I've been looking for and I can see endless possibilities for quilts and wall hangings.

I love applique and these are so great, but I also love to do woodburning and these patterns are great for that too. I especially like the cover girl and have put her on a pillow and will make more pillows as gifts with these patterns. I really like the faces covered with the bonnets.

Helen R. Scott's Bonnet Girls examines applique block designs which present eighteen Bonnet Girls, their children and pets in over thirty interchangeable props and backgrounds. Use this to recreate patterns of the past: each project opens with a color portrait of a finished work and provides pattern templates, materials dimensions and needs, and everything needed for a finished product.

This is the first book I am aware of to set down the extraordinary life and career of Ann Stringer in the detail it deserves. It's all the more compelling because it is autobiography---Stringer tells her story in a clear distinctive voice. Stringer's life is fascinating for its accomplishments and contradictions. She was tough enough to make it as a "newspaper man" under the most difficult conditions---as a war reporter during World War II. In the chauvinist world of war reporting --her reputation as a skilled reporter remarkably transcended her distracting physical beauty, including what one colleague called her "butter-melting eyes." Stringer's life and career seemed to begin and end with the loss of her fellow war-correspondent husband (Bill Stringer) to a badly timed burst of German gunfire somewhere in France. Bill's death prompted Stringer to take up where he left off and become a war reporter in the first place--a brilliant one at that---who stayed on even after the war to cover the Nuremberg Trials. But, her post-war life took incomprehensible and disastrous turns. This reader winced (as one suspects Ann did, herself) when she recounts how she ended up in the 1950s and 60s in Europe "baking meringue pies" for use in her German photographer-husband's pictures. Yet, as Ann Stringer tells her story, you somehow understand why she married a man whose countrymen killed her beloved Bill, stayed with him for several decades, and came gracefully to terms (better than many of us could) with her tragic life-wasting mistakes. There is something quintessentially female about the trajectory of Stringer's life in a really modern sense that makes you want to understand it better. This book provides a chance to begin to do so.

Featuring an introduction by Walter Cronkite, "Bravo, Amerikanski!" And Other Stories From World War II by Ann Stringer (as told to Mark Scott) is an impressive and compelling collection of personal stories (sometime uplifting, sometimes heartbreaking) narrated by Ann Stringer, who lost her journalist husband in Normandy during World War II, and subsequently found the courage to take his place as a reporter. Beautiful, determined, and one hundred percent focused on her duty, Ann Stringer encountered both the horrors of war and the celebrations of freedom, including the liberation of Nazi concentration camps and the linkup of American and Soviet armies at the Elbe River. A highly recommended look at a unique woman's experience as a war correspondent, and the experiences and observations that would change her life forever, "Bravo, Amerikanski!" And Other Stories From World War II is a welcome and valued contribution to the growing library of World War II autobiographies and memoirs.

I found Ann Stringer's story and recollections, as recorded by Mark Scott, to be exciting, sad, and poignant. She is a reminder to women of today that there were outstanding women like Ann Stringer who were making their own destinies by taking bold steps into unknown territory many decades before the "feminist movement" took hold in this country. Ann was one of a few courageous women who chose to be war correspondents and really put their lives on the line on the front lines of the war. The sad aspect was that she had hoped to do it all with her husband, who was also a war correspondent, but he was killed just outside Paris before she could join him. Even in the midst of her grief, she was determined to carry on, for herself and for his memory.

I personally experienced in 1985 the phenomenal 40th anniversary reunion of World War II American and Russian soldiers who had linked up at the Elbe River in Germany during the last days of the war so her recollection about being the second war correspondent to reach troops from both armies was particularly exciting. She got there while they were still joyously celebrating the reality that, now that the two great armies had met up, the German soldiers would be surrendering and the war would soon be over. Her true gutziness was revealed with her story about the lengths she went to in order to get back to Paris and be the first to file the story about the historic link-up! Yet her recollections did not end with the conclusion of the war. The book goes on to share her experiences following the war--going into the ravaged cities of Europe, seeing the despair, hopelessness, and hunger of the people throughout. She also covered the Nuremberg Trials for 11 months, witnessing first-hand the Nazi leadership on trial in the Palace of Justice. Finally, I was especially touched by the poignant way in which she reflected towards the end of the book about lessons to be learned: "Wars are cruel to all sides, no matter whether you win or lose. One of the major issues of the Trials was the condemnation of aggressive wars. Another was recognizing how vicious a doctrine of hatred can be. Yet another was that orders are not always enough. Just to obey an order does not absolve you of all guilt. We can still prevent wars by getting to know each other, to realize that "they" have some of the same problems "we" have...." For this and for historical reasons, everyone should read this book.

Modern Library's Volume V deals with the relationship between Marcel and Albertine. It is a complex, psychological relationship to say the least. In the Captive, Albertine lives with Marcel in his apartment in Paris and in The Fugitive one wonders who is, in fact, more captive -- Albertine or Marcel. It would seem to be Albertine for whom Marcel possesses an obsessive love and concurrent fear of her sapphic penchant. But it is also Marcel who will sacrifice experience if he makes a commitment to her. Who is more free, the captive or the fugitive? Proust raises questions about how to serve best the artist's quest for beauty. In fact, how does one really ever "capture" the beauty of life in art or music or literature? Even in a masterpiece, is it not beauty the fugitive that usually dwells just beyond one's capture? Or like Vinteuil's septet or the music of Wagner or the painting of Rembrandt, is the best for which one can hope of fugitive beauty only a brief fleeting experience? Are the vast tracts of time spent to understand the beauty and meaning of life worth it? As a writer does he not habitually surrender life in order to capture it? Or is the pursuit of the capture of the beauty of life in fact where one realizes its most sublime value? One sees in Proust toward the end of The Fugitive a member of society who respects it but chooses by reasons of health not to position himself so visibly within it. Despite his family name and vast but dwindling fortune inherited from his beloved grandmother, he seems to become somewhat ultimately disenchanted with the intricacies of Faubourg-St. Germain society to which he devotes so much of his writing. He recognises society's shallow obsession with materialism and rampant snobbery but his own place in society is captured by its complex history and tacit rules and Marcel is inescapably a captive of his own culture. When Albertine is lost to him toward the end of the volume, as in the prior volumes, the story line's serial intrigue advances most. Characters from prior volumes reappear, reminiscent of Balzac, whom Proust adored, but like him they change,too, and usually for the worse over time. The great tapestry of the characters of Proust -- Albertine, Gilberte, Swann, Brichot, Bloch, Charlus, Morel, Saint-Loup -- ultimately surprise and usually disappoint him. As to nagging questions about Proust's own orientation, "Personally I found it absolutely immaterial from a moral standpoint whether one took one's pleasure with a man or a woman, and only too natural and human that one should take it where one could find it." I found myself wishing that Proust had written more about Bloch and Saint-Loup and Gilberte, and less about Albertine. But she was, like his work, the one obsession, the endeavor of which understanding he could never escape and never quite marry -- she was his beauty and his art. She was the breath of life itself from his pen and from his experience of life as seen through the eyes of a true genius.

The Albertine episodes make more sense if we assume this is a homosexual ralationship. Albertine's independence, and her being allowed to live in a young man's apartment, and other aspects of her social life do not seem likely for a young woman in the nineteen hundreds. Marcel's (and incidentally this is the only volume where he refers to himself as Marcel) suspicions then become the gay lover's fears that his lover prefers heterosexuality. Albertine is the only female in the Recherche who never gets married.
Apart from these external clues there is quality about the the affection Marcel feels that suggests a gay rather than a straight relationship.
This volume marks a turning point in the narrator's fascination with the aristocracy. From here on disenchantment sets in, and the references to homosexuality become almost homophobic.

This volume contains parts five and six of Proust's huge novel; additionally, these two parts represent the first posthumous releases from A la Recherche du Temps Perdu. If there was any doubt in my mind that these parts, published without the author's oversight, could not continue the excellence of the preceding parts, this fear was quickly dispelled. The Captive and The Fugitive contain some of the most beautiful of Proust's prose, as well as insights into Parisian society, art and the inner thoughts of the narrator not contained elsewhere in the novel.

The Captive, originally published in 1923, tells the story of Marcel and Albertine, now kept by the narrator in his Paris home. This co-habitation is not based on love, nor even lust, but on the obsessive jealousy of Marcel based on his almost psycopathic fear of Albertine's lesbian proclivities. By this point in the novel, Marcel has removed himself from society and is content to remain for the most part in his room. Albertine, living in an adjoining room, is allowed out of the house only with a chaperon and to destinations decided in advance by Marcel. It is the ironic twist that Proust puts on the idea of imprisonment that forms the backbone of this part of the novel. Not only is Albertine kept prisoner by Marcel, but Marcel is no less the prisoner of his own obsession.

It can arguably be stated that each of the parts of the novel corresponds to one of the senses. If this is the case, the Captive surely corresponds to the sense of hearing. It is while listening to Vinteuil's septet that Marcel realizes that art is more than the mechanical manipulation of ideas by color, words or music. Just as Vinteuil has created a complex musical form out of the "catchy" phrase so admired by Swann and Mme Verdurin's little group, Marcel awakens to the limitless possibilities of artistic expression. This epiphanic moment awakens in the narrator a desire to commit himself to the life of a writer. In order to accomplish this wish, he decides that he must end his affair with Albertine. Marcel's decision to part with Albertine on his own terms is thwarted when he learns that it is she who has made the final break and has left his apartment.

Thus begins The Fugitive (originally translated by C.K. Scott Moncrieff, with a freight train full of poetic license, as The Sweet Cheat Gone). The Fugitive represents the most introspective part of a very introspective novel, and in it Proust's zeal for self-examination is pursued with un-relentless fervor as layer upon layer of the author's persona in exposed to the reader.

Marcel's world is turned up side down when he learns that Albertine has died in a riding accident. His obsession, so debilitating when his mistress was alive, continues unabated after her death and the narrator continues with his scrutiny of Albertine's private life as if she was still alive. He finally realizes that obsession cannot be eliminated by death and that relief can only come with the passsing of time and the ensuing state of oblivion. Although Albertine's memory has not been totally erased, the torment that she has caused Marcel diminishes greatly and he is able to resume his life and work.

However, it is a different world into which Marcel emerges after his long period of grief. Just as Marcel's personal life was changed by a freak accident, the social life in which he has emersed himself is going through social changes just as fundamental. The old aristocracy, becoming more and more deperate for cash, is falling prey to the easy lure of mariages of convenience in which aristocratic titles are exchanged for hefty dowries. His two friends, Gilberte Swann and Robert de Saint-Loup, are married to each other thus accomplishing what Charles Swann could never do - have his daughter received by the Duchess de Guermantes. Even more revolutionary, a simple seamstress (Jupien's niece) marries into the aristocracy forever destroying any romantic impressions that Marcel might still hold of the Guermantes and Meseglise Ways. Clearly Marcel's world is changing, but it is the change in his friend, Robert de Saint-Loup, that causes him the greatest pain as he realizes that even friendships are all too often broken by the passage of time.

An assassin haunted by the death of his parents, tries to solve the mystery surrounding their deaths. A dramatic tale of good vs. evil, right vs. wrong plays out on this well-written, intelligent thriller.

This book is so great. It is well written and interesting. I found that I could not put it down; I was glued to it. Karnes is a very great person, and his skill and morals shine through. Keep reading through the first half, it's worth it.

"Crossing the Line" recently made the Southern Writers Guild Recommended Reading List for Spring 2001. Check it out and see why the SWG calls it a "must read."

This is a neat coffee table book for hockey fans. Because it's compiled under the supervision of the NHL, it isn't going to reveal anything that Gary Bettman doesn't want you to know. I did find some interesting content in it, though. It's loaded with some great photos and short essays on the daily doings of the NHL as they happened on March 23, 1996. What I mainly liked about it was that it didn't just stick with a few teams, but almost all of them appear in one part, or another. It also talks about travel, workouts, pre-game prep (including what equipment crew are doing when ESPN and Fox Sports Net aren't around), ice rink conversion, press, fans, games, coaches, the dressing room, hotels, broadcasters, Gretzky, Keenan, St. Michael's, kids, arena crews, and trainers. It doesn't give the whole picture on everything, but it's an adequate scratch at the surface.

I have been trying to find this book for sale for about a year without any luck.Maybe this note will bring this book to my possession.I am just your average Joe looking for a book that has my picture in it next to the Stanley Cup.I would love to purchase this book if anybody has it.

I find this book to be really interesting. What makes it the most interesting is that the person on the front cover of this book is me. I found this out by just happening to be in a book store and looking at hockey books. I looked under the Tampa Bay Lightning and their was my picture with my name by it. I really made me mad. No one told me they were going to put my picture in a book or my name. I don't even have a book for myself. I wish they still made them so I could have one. I feel they should have sent me a book or at least told me I was on the cover and my name was inside the book. Don't you think.